The Ballad of Georges Boivin nominated for 3 Jessie Richardson Theatre Awards

The Ballad of Georges Boivin nominated for 3 Jessie Richardson Theatre Awards

The Ballad of Georges Boivin nominated for 3 Jessie Richardson Theatre Awards

We are thrilled to share The Ballad of George Boivin (Western Gold Theatre) has been nominated for three 21/22 Jessie Richardson Theatre Awards – Outstanding Direction, Outstanding Set Design (Glenn Macdonald) and Outstanding Video Design (Joel Grinke).

Theatre is by it’s nature an ensemble based art form and no individual award nomination happens without the work of a great many people. A tremendous thank you to Tanja Dixon-Warren and Western Gold Theatre who supported the project from translation to stage, francophone playwright Martin Bellemare who allowed us to bring his work to English language, the entire Ballad translation, dramaturgy, production and creative teams, and – of course – the wonderful actors Jay Brazeau and John Innes who both returned to the stage for this project.

Bouche workshoped the creative translation through our digital “A Glimpse into New Translation series” and partnered with Western Gold Theatre for Senior Access Design and Creative Translation workshop prior to the producduction.

Congratulations to all the Jessie Richardson Award nominees!

DATES & Times

November 10 – 28, 2021
Evenings: Wed – Sat @ 7:30 pm
Matinees (from Nov. 14): Wed, Thu, Sat, Sun @ 2:00 pm

Location

PAL STUDIO THEATRE
581 CARDERO STREET, VANCOUVER

Website

www.westerngoldtheatre.org

Western Gold Theatre
In association with Bouche Theatre Collectve

WESTERN GOLD:
THE BALLAD OF GEORGES BOIVIN

By Martin Bellemare | Translated by Jack Paterson with Johanna Nutter
Translated from LE CHANT DE GEORGES BOIVIN (Quebec, Canada)

FEATURING
Jay Brazeau and John Innes alternating as Georges Boivin in repertory

At 77, Georges Boivin “gives the dice a roll”. Georges just lost his wife, you see, the “centre of his universe”. He’s terrified “he’s no longer exists for anyone”. But there is life after 70 and it must continue even after great loss. With his three friends, all the same age as he, he sets out on road trip from Québec to Vancouver, in search of his first love who he hasn’t seen in 50 years.

“…explores with great insight thematic territory I’ve never seen covered before…the execution is poetic and the insight genuine…his (John Innes) skill is a joy… a wonderful combination of ease and thoroughness in his technique…he inhabits every word…moments of magic and even transcendence…an intimate — and rewarding — conversation about love.” – Colin Thomas, colinthomas.ca

“…insightful, thoughtful and mind-expanding…Brazeau gives a riveting performance, showing that emotions are still alive – and even volatile – even in your seventies… This is a beautiful play, filled with hope and longing and the realization that yes, there is life and love well into our golden years!” – EntertainmentVancouver.com

“…a heart-warming play that shakes off the myth often associated with old age.” – Reviewvancouver.com

Creating Access, Inter-Gernerational & Cross-Cultural Dialogue

It is no secret that elder artists face barriers to partcipating in the live performing arts due to our professional structures and the natural process of ageing. We have attempted in this project to fuse all elements from scheduling, to rehearsal and design processes, to live performance with access. What has been particularly exciting is how the individual needs, priorities, and theatrical interests of each actor have come to play, creating two district pieces unique to each artist.

Francophone Canadian playwrighting is a uniquely Canadian form and is on the forefront of international practices. Born from different circumstances and cultural needs, the francophone theatre often places metaphor and experience over dramatic arc and the “well-made play”. Cross Cultural collaboration is inherent to bringing this work to English language translation.

One of the great joys of this project was over the pandemic, as we created a Zoom space bringing artists together across cultural, lingual, and physical distances in an intergenerational conversation – with playwright Martin Bellemare and translation collaborator Johanna Nutter joining us from Montreal.

I have had the privilege over the last few months of working with 2 remarkable theatre artists, a wonderfully creative design team, highly supportive producing body in a pan-Canadian conversation. A tremendous thank you to Western Gold Theatre and the Georges Boivin team.

Credits

Writen by Martin Bellemare
Translated by Jack Paterson with Johanna Nutter
Directed by Jack Paterson

FEATURING
Jay Brazeau and John Innes alternating as Georges Boivin in repertory

Assistant Stage Manager: Jessica Adamson
Assistant Lighting Designer: Chengyan Boon
Sound Designer: Stephen Bulat
Artistic Director: Tanja Dixon-Warren
Video & Video Systems Design: Joel Grinke
Costume Designer: Alaia Hamer
Senior’s Access Consultant: Dr. Julia Henderson
Set Designer: Glenn Macdonald
Assistant Director: Hannah Siden
Video & Video Systems Assistant: Vanka Chaitra Salim
Stage Manager: Ingrid Turk
Access And Surtitle Coordinator: Anika Vervecken
Lighting Designer: John Webber

Meet
the Cast

Jay Brazeau (He, Him)

Jay is seemingly everywhere.  His TV work includes SUPERNATURAL, PSYCH, STARGATE SGI, BATES MOTEL, ROGUE, WEST WING, THE X FILES, AIR BUD and THE KILLING.  Films: DOUBLE JEOPARDY, WATCHMEN, INSOMNIA, BEST IN SHOW, COOL RUNNINGS, WE’RE NO ANGELS, THE POSSESSION, LITTLE WOMEN, ANDRE, HEAD OVER HEELS, HORNS, FATHERS AND SONS and many others.  You’ve HEARD him in countless voice roles for cartoons from “Sabrina: The Animated Series” to “My Little Pony”. Plus voicing the the NFB Oscar-nominated THE BIG SNIT.  Jay’s favourite theatre roles includes: Man in the Chair “The Drowsy Chaperone” (National Arts Centre, Vancouver Playhouse), Tevye “Fiddler on the Roof” (California The Rubicon Theatre), “The Goat”  (Presentation House Theatre), Cyrano (Pittsburgh’s Three Rivers Shakespeare Festival), The Wiz in Andrew Lloyd Webber’s North American Tour of “Wizard of Oz” and the wonderful Edna Turnblad in the Canadian premiere of “Hairspray”.  Jay is writing his own play FORTUNATE SONS and co-writing a screenplay THE PROFESSIONALS.  IMBD

John Innes (He, Him)

John Innes was an early graduate of the National Theatre School (’67). He has performed in every major regional theatre in Canada, including 12 seasons with the Stratford Shakespeare Festival where he received a Tyrone Guthrie Award twice. He has also performed in regional theatres in the United States including 3 seasons with the Denver Center Theatre Company. In all, he has been a working actor for over 55 years.

Meet our Playwrights & Translators

About the playwright

Martin Bellemare

(He, Him, His)

A graduate of the National Theatre School of Canada’s writing program, Martin Bellemare was nominated for the 2020 Siminovitch Prize and awarded the 2009 Gratien Gélinas Prize for Le Chant de Georges Boivin. La Liberté was presented at La Rubrique (Jonquière) in 2013 and in Montreal in 2015, and was scheduled to be staged in Ottawa in 2020. Maître Karim la perdrix (2018 Prix SACD de la dramaturgie francophone, awarded by the Société des Auteurs et Compositeurs Dramatiques) will premiere at the Théâtre des Capucins in Luxembourg in 2021. Moule Robert (CNL Scholarship, shortlisted for the 2017 Prix SACD de la dramaturgie francophone and the 2018 Michel Tremblay Prize) was produced simultaneously at La Rubrique and at the POCHE/ GVE in Geneva, then at the Théâtre de Belleville in Paris. Martin is a four-time recipient of the Aide à la création grant from the Centre national du Théâtre/ARTCENA in Paris, and two of his plays are included in the repertoire of the Comédie-Française. Two of his plays for young audiences, Un château sur le dosand Des pieds et des mains, which was first produced at the NAC, have toured in Canada and internationally. In 2019, Extraordinaire et mystérieux and Charlie et le djingpouite were produced, and Cœur minéral premiered at the Francophonies in Limoges. The latter play was scheduled for a Montreal production in 2020.

His work has been produced in Quebec, France, Poland and Switzerland and translated into German, Italian and Lithuanian.

About the translator

Jack Paterson

(He, Him, His)

Jack’s practice has taken him across Canada, the UK and around the world. His work has ranged from contemporary devising, multi-disciplinary, cross-cultural and multi-ligual projects to new works  and contemporary approaches to classical theatre.  He trained at  Circle in the Square (NYC, USA), GITIS (Moscow, RU), SENI  (Denpasar, INA) and received his MFA from The University of Essex and East 15 Acting School (London, UK).  Recent project include devised creation in Italy (Teatro Trieste 34, Piacenza) and Indonsia (SENI, Denpasar), and a deep dive into German innovation with Flausen+ (theatre wrede+, Oldenburg). www.JackPatersonTheatre.com

About the colaborating translator

Johanna Nutter

(Elle, She, Her)

Johanna Nutter (she, euro-settler, multidisciplinary artist) developed her passion for translation through acting: being one of few perfectly bilingual theatre artists, she played leading roles at Centaur (Good People, You Will Remember Me) and La Licorne (Les Événements). The attention of both circles came thanks to the success of her solo my pregnant brother/mon frère est enceinte, which she translated during a residency in Tadoussac, accompanied by Linda Gaboriau. The show toured across Canada and Quebec in both languages, and to the UK and Belgium. Subsequently, she translated the works of Annick Lefebvre (Barbed Wire), Guillaume Corbeil (You’ll Go Looking for Her), and Florence Longpré & Nicolas Michon’s ballet-theatre hybrid CHLORINE, which she also produced and directed at Centaur, with her company creature/creature.

About our Partners

About Western Gold Theatre

Western Gold Theatre is the premier company in the country focused on sharing and celebrating the talents of senior professional theatre artists (age 55+). Western Gold also mentors emerging younger professional artists as they ‘share the boards’ with us. We are a vibrant creative gathering place for artists and audiences, young and old. www.westerngoldtheatre.org

Special

Thank You

International New Translation and Exchange: La Coalition de la robe

International New Translation and Exchange: La Coalition de la robe

Bridging Borders, Cultures & languages

International New Translation and Exchange

Teatro Trieste Trentaquattro in collaborazione con Global Hive Labs, BoucheWHACKED! Theatre Collective, il ChezActors presenta

LA COALITION DE LA ROBE

By Marie-Claude Garneau, Marie-Ève Milot & Marie-Claude St-Laurent
Translated to Italian by Carolina Migli
Featuring Elisa Ferrari, Sara Gurnari & Melania Mililli | Production dramaturgy by River Coello

When: Sunday, May 8, 2022
Time: 9 PM
Where: Teatro Trieste 34
(Via Trieste 34 – 29122 Piacenza, Italy)

“This work is necessary so Italian artists understand that the same problems are faced all over the world, even in a country as focused on human rights as Canada.” – Mirella Girometti, public

“I didn’t know that there were so many barriers to women in in theatre” – Elisabetta Molinari, public

“…the revival of Quebec’s feminist theatre, a vibrant homage to art, the place of women to challenge everything…” – Le Devoir

They appeared from the shadows, like from a horror movie, the invisible armed with all their crumpled and scraped ideas. In their hands were their stillborn dreams & characters.

Marie-Claude Garneau, Marie-Eve Milot and Marie-Claude St-Laurent investigate a story of invisibility and anonymity. This interdisciplinary document records the writers’ political awakening, and their discovery of a heritage not taught in school – the works of Quebecois women. They share their personal journeys, their theatre knowledge, their liberating anger in a collection of scenes, essays and manifestos. A new generation of writers, performers, and audiences is here to shake off their chains and take their rightful place.

To promote Canadian work over the pandemic, I reached out our international peers. With supported from CEAD, PTC and PWM, I supplied contemporary Canadian works in both official languages fitting each international company’s mandate to chose from; introduced like-minded artists and organisations; and supported funding applications and English language documents.

Translation for theatre falls in the professional category “Creative Translation”. By it’s nature Theatre is a collaborative effort, and translation for theatre is no different. A close cross cultural exchange between playwright and translator is crucial – providing understanding of the playwright’s motivations, choices, and the cultural understandings unique to the playwright’s culture, identity, etc.

We gratefully acknowledge the support of The Canada Council for the Arts, The City of Piacenza, Teatro Trieste 34, ChezActors & Piacenza Kultur Dom.

About Our Partners

CHEZACTORS (Italy)

CHEZACTORS is a collective of professional artists working in a fusion of theatre, photography, activism, live music and electronic sessions, fashion, film, figurative, graphic and graffiti arts led by director, divisor, dancer Carolina Migli. With a focus on the now, the company revolutionizes the relationship between community and professional artists through new participation/ creation models.

PIACENZA KULTUR DOM & TEATRO TRIESTE 34 (Italy)

Founded in 1997, Piacenza Kultur Dom is a cultural association, cultural center and theatre that creates, produces, and presents live theater and the live performance arts in all its forms in Piacenza. Under the leadership of Filippo Arcelloni, we are the only independent producing theatre in the Piacenza region. For the last 20 years we have provided a home for independent music, contemporary dance, new works and creation, clown, and visual arts. Our productions are performed throughout Italy.

Special Thank you to our Supporters

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.

New Translation Canada: The Siminovitch Playwright Project

New Translation Canada: The Siminovitch Playwright Project

Towards a national theatre

THE SIMINOVITCH PLAYWRIGHT
NEW TRANSLATION PROJECT

Every three years, 5 Canadian playwrights in both official languages (French & English) are nominated for The Siminovitch Prize, Canada’s leading national theatre award. Each of these playwrights represents a leading voice in Canadian playwriting as nominated by their peers.

We contacted each of the playwrights who shared our excitement for this vision. They each selected 1 piece from their body of work for translation. These works represent a diversity of leading Canadian playwrights from different regions, lived experiences, cultural and linguistic heritages and draw from across their careers–from early noted works to recent creations.

Working with a creative translation team drawn from leading theatre makers across Canada, we commissioned creative translation of the selected works.

www.newtranslationcanada.com

FREE EVENT

DATE
Sunday June 19, 2022

TIME
PT: 12PM | MT: 1PM | CT: 2PM | ET: 3PM | AT: 4PM

RUNNING TIME
2 HRS including Q&A with the playwright and translator

HOW TO ATTEND
Click the button below at showtime

FREE event. No registration required. Capacity 100.

Latecomers welcome – audience does not appear on screen.

The SPNTP Collective
In association with Théâtre Français de Toronto and Théâtre Action

Crawlspace

By Karen Hines
Translated to French by Mishka Lavigne

“A blistering commentary on our consumer culture. Pitch-black funny.”
– Jo Ledingham, The Courier

“Hines at her most horrifyingly hilarious.” – J. Kelly Nestruck, Globe & Mail

Award-winning writer and performer Karen Hines explores the darker side of real estate in CRAWLSPACE, a comic, Kafka-esque monologue that snakes through the brutal battleground of real estate, decorative twig orbs and the state of the human soul.

CRAWLSPACE is inspired by Hines’ true story of buying a fully detached ‘condo alternative’ in a hip downtown neighbourhood in a heated market… and how it all went horribly, nightmarishly wrong. The story became a National Magazine Award-nominated feature called My Little House of Horrors (Swerve Magazine). It was then adapted as a stage play and readings were performed for ‘boutique’ audiences in an Edmonton basement, a Northern Ontario dining room, and a tiny Toronto kitchen. CRAWLSPACE premiered publicly at Videofag, a cultural hub in a storefront space in Toronto’s Kensington Market.

Crawlspace created and performed by Karen Hines (2017)

 

Meet the Playwright & Translator

Karen Hines (she, her)

Karen Hines’ multi-prize-winning plays offer keen musings on modern life, combining such disparate elements as magical realism, pink-brand feminism and environmental disarray. Her solo performances and ‘little’ films featuring her darkly comic character ‘Pochsy’ have traveled the globe. Hines has collaborated as a director and dramaturg with many fellow artists, and her productions, plays and performances have seen venues like One Yellow Rabbit, Joe’s Pub (Public Theatre), Astor Place Off-Broadway, Tarragon, Videofag, Canadian Stage, Soulpepper, NAC. For Festival du Jamais Lu 2022, Hines’ ‘Tous les petits animaux que j’ai dévouré’ was translated and staged (Mishka Lavigne; Lisa L’Heureux) and Hines’ real estate horror Crawlspace continues to micro-theatres across Canada in French and English. Crawlspace is being adapted as screenplay, and is now a CBC podcast (PlayMe; Radio One). Upcoming, Pochsy IV premieres January 2023.

Mishka Lavigne (she, her)

Mishka Lavigne (she, her) is a playwright and literary translator based in Ottawa/Gatineau. Her plays have been produced, read and developed in Canada, Switzerland, France, Germany and the United States. Her plays Havre and Copeau were awarded the Governor General’s Literary Prize for Drama (French). Her recent play Copeaux, a movement-based poetic creation piece with director É Perron premiered in Ottawa in March 2020. She is currently working on her new play Shorelines and her first opera libretto with composer Tim Brady. Mishka is a National New Play Network (USA) alumni playwright as well as a member of the PGC and CEAD.

Meet the workshop team

MIRIAM CUSSON | CREATIVE TRANSLATION DRAMATURG

Miriam Cusson (she, her) is a director, actor, author, creator and dramaturg. Her work explores the poetry of violence and cruelty in contemporary society while questioning the foundations of our community. Her approach embraces the collisions between vulnerability and strength, between creation and destruction, and seeks to provoke a reflection on expectations, conventions and preconceived notions. She has often been called a rebel. It suits her perfectly. Miriam is the recipient of the Ontario Arts Council’s JOHN HIRSCH Award, the Greater Sudbury Mayor’s Award for the Arts and Laurentian University’s Excellence in Teaching Award. Miriam has been an Assistant Professor at the University of Ottawa’s Theatre Department since August 2021.

KARINE RICARD | ACTOR

Artistic Director of the Théâtre français de Toronto since 2021, Karine Ricard (she, her) is an actor, director, director and author. Recently she directed her first feature film Les Liaisons dangereuses : correspondances inédites. At TfT she performed in Molière’s Le Misanthrope, Marivaux’s La seconde surprise de l’amour and in English in The Numbers Games. Her play Les sept péchés capitaux was presented at the Des Feuilles Vives festival in Ottawa. She is currently directing Yassama et la calebasse aux cauris at the WEE Festival in Toronto.

BIANCA RICHARD | ACTOR

Bianca Richard (she, her) is an actor and puppeteer who also writes for theatre and film. Originally from New Brunswick, she received her bachelor’s degree in drama from the Université de Moncton in 2013. Since then, she has navigated between acting on television (À la Valdrague, Newbies), theatrical creation (Radi, Les limites du bruit possible, ‘T”, Pépins) and producing short films (Out of tune, Al-Ghoula à la plage). Since 2019, she been developing the play Parler Mal in collaboration with Gabriel Robichaud. She is also the new co-host of the national youth TV series ONIVA! (Radio-Canada).

We gratefully acknowledge the support of

Land Acknowledgement

Activities related to this project take place on the traditional unceded territories of several First Nations and Indigenous groups in the territory now known as Canada. These include: (Vancouver, British Columbia), Kanien’kehá:ka Nation (Montreal, Quebec), Blackfoot Confederacy (Siksika, Kainai, Piikani), Tsuut’ina Nation, Nakoda Island First Nations and Métis Nation (Region 3) (Treaty 7 Territory, Calgary, Alberta), Anishinaabe-Algonquin Nation (Ottawa, Ontario) and Mi’kmaq Nation (Nova Scotia). We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.

For more information on the Truth and Reconciliation Commission of Canada click here.

International New Translation and Exchange: Silence by Trina Davies

International New Translation and Exchange: Silence by Trina Davies

Bridging Borders, Cultures & languages

International New Translation and Exchange

Teatro Trieste Trentaquattro in collaborazione con Global Hive Labs, BoucheWHACKED! Theatre Collective, il ChezActors presenta

Frammenti da

SILENZIO

By Tina Davies
Translated to Italian by Carolina Migli
Translated from Silence: Mabel and Alexander Graham Bell

When: Saturday, April 23, 2022
Time: 9 PM
Where: LA SERRA del PALAZZO GHIZZONI NASALLI
(Vicolo Serafini, 12 – 29121 Piacenza, Italy)

“The workshop presentation gave life to a deeply poetic reflection on our way of communicating and on the place of human beings in the world, thanks to the skillful translation work of Carolina Migli… Between beautiful vintage costumes and soulful music , the exciting and delicate reading staged at Palazzo Ghizzoni Nasalli is only the beginning of the story of how Mabel and Alec supported and challenged each other in the service of the good. Of a feeling that overcomes physical barriers and class prejudices…A concrete hope that accessibility and inclusion can become a priority focus also for Italian theater.”
– Micaela Ghisoni, www.piacenzasera.it

It only takes one spark of love to change the world forever. Mabel Hubbard Bell was a strong, self-assured woman—bright, passionate, and a complete original. Despite a near-fatal case of childhood scarlet fever that cost her the ability to hear, she learned to talk and lip-read in multiple languages. At nineteen, she married a young inventor named Alexander Graham Bell and became the most significant influence in his life. Mabel’s unique perspective on her remarkable life, and beautiful and true love story about how we communicate.

Canadian playwright Trina Davies working with Italian translator Caarolina Migli

To promote Canadian work over the pandemic, I reached out our international peers. With supported from CEAD, PTC and PWM, I supplied contemporary Canadian works in both official languages fitting each international company’s mandate to chose from; introduced like-minded artists and organisations; and supported funding applications and English language documents.

Translation for theatre falls in the professional category “Creative Translation”. By it’s nature Theatre is a collaborative effort, and translation for theatre is no different. A close cross cultural exchange between playwright and translator is crucial – providing understanding of the playwright’s motivations, choices, and the cultural understandings unique to the playwright’s culture, identity, etc.

We gratefully acknowledge the support of The Canada Council for the Arts, The City of Piacenza, Teatro Trieste 34, ChezActors & Piacenza Kultur Dom.

About Our Partners

CHEZACTORS (Italy)

CHEZACTORS is a collective of professional artists working in a fusion of theatre, photography, activism, live music and electronic sessions, fashion, film, figurative, graphic and graffiti arts led by director, divisor, dancer Carolina Migli. With a focus on the now, the company revolutionizes the relationship between community and professional artists through new participation/ creation models.

PIACENZA KULTUR DOM & TEATRO TRIESTE 34 (Italy)

Founded in 1997, Piacenza Kultur Dom is a cultural association, cultural center and theatre that creates, produces, and presents live theater and the live performance arts in all its forms in Piacenza. Under the leadership of Filippo Arcelloni, we are the only independent producing theatre in the Piacenza region. For the last 20 years we have provided a home for independent music, contemporary dance, new works and creation, clown, and visual arts. Our productions are performed throughout Italy.

Special Thank you to our Supporters

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.

Active Access Design International: PALAZZO DEL MONDO

Active Access Design International: PALAZZO DEL MONDO

Towards an Inclusive Theatre

Active Access Design International Lab.

“This project makes it very clear. It is our responsibility to ensure the availability of art to everyone. that it is not just about making shows for certain types of people but all the people. Art must be accessible on every level to everyone.”
– Jonathon Papa Marenghi, Minister of Culture, Comune di Piacenza

“Accessibility as a springboard towards new forms of communication. Accessibility not simply as a practice for otherwise excluded audiences, but as added value. Accessibility as a creative challenge and experimentation with new languages.”
– Antonella Patete, www.redattoresociale.it

Signdance Collective International (UK), BoucheWHACKED! Theatre Collective (Canada), Chezactors (Italy), & Global Hive Labs presente

PALAZZO DEL MONDO

LABORATORIO INCLUSIVITÀ & ACCESSIBILITÀ ININTERNATION
INTERNATIONAL INCLUSIVITY & ACCESSIBITY LABORATORY

Join us in an international conversation and exploration of accessibility in the performing arts.

Wednesday, April 13, 2022
9 PM
Pay Whay You Can

Palazzo Farnese
Cittadella Square, 29
29121 Piacenza, Italy

Ivani Ca & Golda Dahan (Signdance Collective) in PALAZZO DEL MONDO

Carolina Migli (ChezActors) & Golda Dahan (Signdance Collective) combine BSL & shadow puppetry

Working closely with stakeholders in the community, our Active Access Design Labs. examine how to integrate Access tools and Cross Sensory Translation directly into the generative process of theatre weaving access into the very fabric of a work. Almost 2 years later to the day after the Atlantide Project, we are thrilled to return to Italy and Teatro Trieste 34 with an international team from the remarkable Signdance Collective International (UK), and ChezActors (EU) for 2 weeks of Active Access Design research and exploration.

Bouche Theatre Collective Team (Canada):
Joel Grinke (Creative Technologist), Jack Paterson (Devisor, Director, Translator), Anika Vervecken (Sur-title Artist/ Access Co-Ordinator).

ChezActors (Italy):
Ricardo Arias Callejas (Architecture), Fabiola Filace (Dancer), Carolina Migli (Playwright, Performer, Director), Silvia Rastelli (Dancer), Alice Robbi (Dancer), Ranjana Siva (Traditional Dance).

Signdance Collective International (UK, Portugal, & Croatia):
Isolte Avila (Coreographer), David Bower (Dancer, Actor), Ivani Ca (Performer), Robert Corcoran (Media), & Golda Dahan (Dancer)

We gratefully acknowledge the support of The Arts Council of England, The Canada Council for the Arts, The City of Piacenza, Teatro Trieste 34, ChezActors & SignDance Collective International.

About Our Partners

SIGNDANCE COLLECTIVE INTERNATIONAL (UK)

“Hypnotic, poetic, and unruly. The Signdance Collective represents the ungovernable energy of art itself, railing and raging against tyrannical forces. Beautiful to behold” – Caridad Svich

Signdance Collective International is a UK & European-based dance theatre company. We are the pioneers of Signdance Theatre. A fusion of sign (language) theatre, dance, and live original music. The Company is led by a collective of Deaf, disabled, and diverse artist/producers. www.signdancecollectiveinternational.com

CHEZACTORS (Italy)

CHEZACTORS is a collective of professional artists working in a fusion of theatre, photography, activism, live music and electronic sessions, fashion, film, figurative, graphic and graffiti arts led by director, divisor, dancer Carolina Migli. With a focus on the now, the company revolutionizes the relationship between community and professional artists through new participation/ creation models.

PIACENZA KULTUR DOM & TEATRO TRIESTE 34 (Italy)

Founded in 1997, Piacenza Kultur Dom is a cultural association, cultural center and theatre that creates, produces, and presents live theater and the live performance arts in all its forms in Piacenza. Under the leadership of Filippo Arcelloni, we are the only independent producing theatre in the Piacenza region. For the last 20 years we have provided a home for independent music, contemporary dance, new works and creation, clown, and visual arts. Our productions are performed throughout Italy.

About Active Access Design

Active Access Design was born from my work with Global Hive Labs., an international network of artists and companies, co-founded with Denise Yvette Serna (USA), Katie Merrit (UK) and Carolina Migli (EU), working together in devised creation. With collective members across multiple countries, we identified access as a priority.

The 2019/20 Global Hive Labs. international collaborations Medusa USA (Chicago’s Steppenwolf Theatre, Pop Magic Productions) and Medusa UK (London’s The Pleasance Theatre, The Cockpit Theatre, & Fusion Theatre), we focused on incorporating Audio Description and Touch Tours into Dramatic Narrative.

Spring 2020, we teamed up with Teatro Trieste 34 (Piacenza, Italy) and asked ourselves, how could we take this further? On the devised creation project Atlantide, we were able to test the early concept of Active Access Design (AAD) and Cross Sensory Translation. The potential was revealed.

“…a full house for Teatro Trieste 34 …a fusion of epic and contemporary, myth and poetry, in a fascinating total and inclusive theatre…” – Liberta

“…smashing nationality and accessibility borders in a Total theatre merging so many artistic languages in a complete emotional voyage…” – IMA Magazine

Special Thank you to our Supporters

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.