International New Translation Workshop: Facelift

International New Translation Workshop: Facelift

PRESENCE THEATRE
IN ASSOCIATION WITH BOUCHEWHACKED! THEATRE COLLECTIVE PRESENTS

International Works in New Translation

This live digital reading is part of an ongoing occasional series of Presence ‘virtual’ readings exploring and celebrating new international theatre texts in translation, a main feature of which is the extraordinary work now emerging from the very vibrant Quebecois theatre community.  Readings are followed with followed by a discussion/Q&A with the writer and translator.

FREE EVENT

DATE

Monday, Jan. 17th 2022

TIME

PT (Vancouver): 11 AM
ET (Montreal): 2 PM
GMT (London UK): 7 PM

RUNNING TIME

2 hrs including Intermission and conversation with the playwright

FACELIFT

By Nathalie Boisvert | Translated by Johanna Nutter
Translated from FACELIFT (Quebec, Canada)

…a woman in her fifties leads an online makeup tutorial: first the foundation, then the eyes and finally the mouth… As she constructs the perfect face, she shares with us the secrets of successful make-up, her thoughts on the necessity of this camouflage, the dangers of age, loneliness and failure. As she drifts away from the female ideal, she enters into a dialogue with Nelly Arcan and Simone de Beauvoir. The activity of daily make-up turns into an examination of a woman’s life, questioning the relationship between women and beauty, seduction, aging and the subject of women’s freedom in the face of social diktats. A brand new work…

A live reading of a new work FACELIFT by Quebecois playwright Nathalie Boisvert, Monday Jan. 17th at 7pm via Zoom, followed by a discussion/Q&A with the writer and also the translator Johanna Nutter.

This is part of an ongoing occasional series of Presence ‘virtual’ readings exploring and celebrating new international theatre texts in translation, a main feature of which is the extraordinary work now emerging from the very vibrant Quebecois theatre community in association with BoucheWHACKED! Theatre Collective.

The professional performers/readers for FACELIFT are: Rachel Bavidge, Mufrida Hayes and Fiz Marcus

Last year, Presence Theatre presented from Quebec, MIDNIGHT by Marie-Hélène Larose-Truchon and (A DAY AT THE) MALL by Emmanuelle Jimenez.

Meet our Playwright & Translator

About the playwright

Nathalie Boisvert

NATHALIE BOISVERT (she, her, hers) holds a bachelor’s degree in acting and a master’s degree in drama from the University of Quebec in Montreal (1993). In 1997, her first play, L’histoire sordide de Conrad B., was performed at the Festival de Spa (Belgium), remounted in Brussels and translated into English by Bobby Theodore. In 1999, her work, L’été des Martiens (Lansman) premiered simultaneously in Quebec (Théâtre Niveau Parking) and France (La Comédie de la Mandoune) and again produced simultaneously in 2006 in Dusseldorf (Landstheatre) and Berlin (Grips) in German translation by Frank Heibert. Translated into English by Bobby Theodore, it was also produced in 2002 by Theatre Direct (Toronto). In 2006, her play Vie et Mort d’un village, received lauréate des Journées de Lyon (Éditions Comp’Act) and she received le Prix Gratien-Gélinas in 2007 for Buffet chinois. Her Antigone au printemps was shortlisted for the 2018 Governor General’s Award French Language Drama and received the Prix Émile-Augier. Antigone is currently being translated to English by Hugh Hazelton.

About the translator

Johanna Nutter

JOHANNA NUTTER (she, euro-settler, multidisciplinary artist) developed her passion for translation through acting: being one of few perfectly bilingual theatre artists, she played leading roles at Centaur (Good People, You Will Remember Me) and La Licorne (Les Événements). The attention of both circles came thanks to the success of her solo my pregnant brother/mon frère est enceinte, which she translated during a residency in Tadoussac, accompanied by Linda Gaboriau. The show toured across Canada and Quebec in both languages, and to the UK and Belgium. Subsequently, she translated the works of Annick Lefebvre (Barbed Wire), Guillaume Corbeil (You’ll Go Looking for Her), and Florence Longpré & Nicolas Michon’s ballet-theatre hybrid CHLORINE, which she also produced and directed at Centaur, with her company creature/creature.

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.

A Glimpse into New Translation: Facelift

A Glimpse into New Translation: Facelift

Facelift

By Nathalie Boisvert | Translated by Johanna Nutter

A DIFFERENT LANGUAGE IS A DIFFERENT VISION OF LIFE

A glimpse into
new translation

Join us online for our English language new translation development workshop series.

Discover the leading new works of francophone Canadian theatre, meet the playwrights and their translators, and play a part in the new translation process.

FREE EVENT

DATE

Sunday July 18, 2021

TIME

PT (Vancouver): 12PM
MT (Calgary): 1PM
CT (Regina): 2PM
ET (Montreal): 3PM
AT (Halifax): 4PM
GMT (London UK): 20:00 hrs
CET (Berlin EU): 21:00 hrs

RUNNING TIME

2 hrs including Intermission and conversation with the playwright

In Association with The Canadian Play Thing, PHT Creative Hub Co-operative,  Ruby Slippers Theatre & Théâtre la Seizième

FACELIFT

By Nathalie Boisvert | Translated by Johanna Nutter
Translated from FACELIFT (Quebec, Canada)

Featuring Nimet Kanji, Lisa C. Ravensbergen and Gwynyth Walsh
Q&A moderated by Catherine Ballachey

A woman in her fifties leads us in a makeup tutorial: first the foundation, then the eyes and finally the mouth… As she constructs the perfect face, she shares with us the secrets of successful make-up, her thoughts on the necessity of this camouflage, the dangers of age, loneliness and failure. As she drifts away from the female ideal, she enters into a dialogue with Nelly Arcan and Simone de Beauvoir. The activity of daily make-up turns into a examination a woman’s life, questioning the relationship between women and beauty, seduction, ageing and the subject of women’s freedom in the face of social diktats.

A brand new work, Facelift was featured at TEAMTHEATER TANKSTELLE e.V (Munich) and TeamTheatreGlobal:Quebec 2019

This translation and workshop is made possible by a grant from Canada Council for the Arts.  This project is produced with the co-operation of the UBCP/ACTRA.

Meet our Playwright & Translator

About the playwright

Nathalie Boisvert

Nathalie Boisvert (she, her, hers) holds a bachelor’s degree in acting and a master’s degree in drama from the University of Quebec in Montreal (1993). In 1997, her first play, The Sordid Story of Conrad B., was performed at the Festival ide Spa (Belgium), remounted in Brussels and translated into English by Bobby Theodore. In 1999, her work, L’été des Martiens (Lansman) premiered simultaneously in Quebec (Théâtre Niveau Parking) and France (La Comédie de la Mandoune) and again produced simultaneously in 2006 in Dusseldorf (Landstheatre) and Berlin (Grips) in German translation by Frank Heibert. Translated into English by Bobby Theodore, it was also produced in 2002 by Theatre Direct (Toronto). In 2006, her play Vie et Mort d’un village, received lauréate des Journées de Lyon (Éditions Comp’Act) and she received le Prix Gratien-Gélinas in 2007 for Buffet chinois. Her Antigone au printemps was a finalist for the 2018 Governor General’s Award French Language Drama and received the Prix Émile-Augier.

About the translator

Johanna Nutter

Johanna Nutter (she, euro-settler, multidisciplinary artist) developed her passion for translation through acting: being one of few perfectly bilingual theatre artists, she played leading roles at Centaur (Good People, You Will Remember Me) and La Licorne (Les Événements). The attention of both circles came thanks to the success of her solo my pregnant brother/mon frère est enceinte, which she translated during a residency in Tadoussac, accompanied by Linda Gaboriau. The show toured across Canada and Quebec in both languages, and to the UK and Belgium. Subsequently, she translated the works of Annick Lefebvre (Barbed Wire), Guillaume Corbeil (You’ll Go Looking for Her), and Florence Longpré & Nicolas Michon’s ballet-theatre hybrid CHLORINE, which she also produced and directed at Centaur, with her company creature/creature.

Meet the workshop team

Nimet Kanji (She, her, hers)

Nimet is an award winning Theatre and TV/Film actor and has had the pleasure of working with Edward James Olmos (Battlestar Galactica), Kevin Sorbo (Paradox) and John Cusack (Martian Child) amongst other notable names. Her theatre credits include ‘Sultans of the Street’ (Carousel Theatre), ‘9 Parts of Desire’ (The Maggie Tree) and ‘Victim Impact’ (Theatre Conspiracy).

Lisa C. Ravensbergen (She, Her, Hers)

A tawny mix of Ojibwe/Swampy Cree and English/Irish, Lisa is an award-winning, multi-hyphenate theatre artist and emerging scholar. Her work is rooted in Indigenous protocol, ontologies, and decolonial methodologies and is recognized nationally and internationally for its rigour and artistic excellence. Lisa resides on unceded Coast Salish territory. lisacr.com

Gwynyth Walsh (She, Her, Hers)

Well versed on stage and screen, Gwynyth is happy to be working with Jack Paterson again. Screen credits include Virgin River, Man in the High Castle and Black Summer. Stage credits include The Tempest ( with Jack! ), Mary Stuart, King Charles III, and Barefoot in the Park.

Guest Dramaturg: Diane Brown (She, Her, Hers)

Diane is a multi award-winning director, actor, and Artistic Director of Ruby Slippers Theatre (RST). In 2017, she received the prestigious Bra D’Or Award from Playwrights Guild of Canada and was a 2018 Nominee for the Women of Distinction Awards, in recognition of her years of empowering the voices of diverse female-identifying artists. She and RST earned the reputation as Vancouver’s finest producers of crucial Quebec works in English, translations commissioned by RST. Diane has a BFA from SFU and an MFA in Directing from UBC.

Creative Producer: Jack Paterson (He, Him, his)

Jack is an award winning theatre maker whose work and practice has taken him across Canada, UK, EU and around the world. Work has ranged from devising creation, multi-disciplinary, cross-cultural and multi-ligual projects to new works & texts, contemporary approaches to classical theatre. www.jackpatersontheatre.com

About our Partners

About The Canadian Play Thing

The Canadian Play Thing is a playwright-centred virtual theatre that shares live readings of new and under-produced Canadian plays online. The goal is to support and celebrate the work of playwrights, and to connect our theatre family across the country. Artists and audiences around the world are welcome. www.plaything.ca

About The PHT Creative Hub
Co-operative

The PHT Creative Hub Co-operative has transformed how we collaborate and share performing arts with our communities. Co-op artist members from across performance disciplines fill our spaces, work on their own creative projects, and share their skills and expertise with each other. The PHT Creative Hub Co-operative

 

About Ruby Slippers Theatre

Ruby Slippers Theatre imagines a world where diversity is celebrated through a deeper understanding of each other. www.rubyslippers.ca

Francophone Canadian Theatre Resources

About Centre des auteurs dramatique

An association of authors serving authors, CEAD is a centre for the support, promotion and dissemination of French-language dramaturgy here. It occupies a unique place both in terms of the number of authors it brings together and the objectives of quality and innovation it pursues. www.cead.qc.ca

About Playwrights’ Workshop Montreal

Playwrights’ Workshop Montréal is a new creation development centre. PWM gives artists the opportunity to create and experiment, dream and take risks, fail and try again. Our dynamic collaborative process draws on our team’s unique expertise and is tailored to the artist’s individual needs. At PWM, playwrights, dramaturgs, translators, directors, performance artists, and theatre companies across the country find a creative accomplice willing to invest deeply in the development of meaningful work. www.playwrights.ca

About Théâtre la Seizième

Founded in 1974, Théâtre la Seizième is the main French language, professional theatre company in British Columbia. Since its creation, la Seizième contributes to the richness and diversity of the performing arts through its activities in new play development, production, presentation, and touring in French. Through powerful experiences that reflect the very best of francophone performing arts, from here and elsewhere, our company aims to inspire, enrich, and bring together diverse audiences. www.seizieme.ca

Special

Thank You

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.

CRFO Arts Rational Interview with Nathalie Boisvert

CRFO Arts Rational Interview with Nathalie Boisvert

CRFO Arts Rational Interview with Nathalie Boisvert

Listen to award winning francophone playwright Nathalie Boisvert and John Jack Paterson on Vancouver Co-op Radio CFRO’s Arts Rational to discussing francophone theatre and her play Facelift.

Available on all following platforms:

http://www.coopradio.org/content/arts-rational-874

ABOUT NATHALIE BOISVERT (ELLE, SHE, HER, HERS) | PLAYWRIGHT: FACELIFT

Nathalie Boisvert holds a BA in acting and a MA in drama from the University of Quebec. In 1997, her first play, L’histoire sordide de Conrad B., was performed at the Festival de Spa (Belgium), remounted in Brussels and translated into English by Bobby Theodore. In 1999, her work, L’été des Martiens (Lansman) premiered simultaneously in Quebec (Théâtre Niveau Parking) and France (La Comédie de la Mandoune) and again produced simultaneously in 2006 in Dusseldorf (Landstheatre) and Berlin (Grips). In 2006, her play Vie et Mort d’un village, received lauréate des Journées de Lyon (Éditions Comp’Act) and she received le Prix Gratien-Gélinas in 2007 for Buffet chinois. Her Antigone au printemps was shortlisted for the 2018 Governor General’s Award French Language Drama and received the Prix Émile-Augier. Antigone is currently being translated to English by Hugh Hazelton.