International Translation Workshop: And if one night

International Translation Workshop: And if one night

A DIFFERENT LANGUAGE IS A DIFFERENT VISION OF LIFE

Reaching across Distance, Language and Culture

Over the course of the pandemic, Bouche Theatre Collective has maintained our outreach to international theatre makers and engaging them in the development process of new Canadian work.  And if one night wih London’s Presence Theatre is our 7th International new translation workshop.

In Association with Presence Theatre
(London, UK)

AND IF ONE NIGHT

By Lisa L’Heureux | Translated by Mishka Lavigne
Translated from ET SI UN SOIR (Quebec, Canada)

CAST
Rachel Bavidge: ANITA
Sophie Juge: DANIELLE
Ami Sayers: MIA
Hemi Yeroham: JOSEPH

Produced  and Moderated by:
Colin Ellwood (Joint Artistic Director, Presence Theatre) 

“Mia, Danielle, Anita and Joseph emerge from the shadows with courage and clumsiness as believable as it is moving. Her pen rich with accuracy and affection, Lisa L’Heureux portrays a generation in search of self and real, concrete meaning to give to its intimacy. “ – ici.radio-canada.ca

In a grey apartment building, four characters live in a dreamlike space in which time moves forward without moving, sometimes in an offbeat and unsettling way. Written as a fragmented dream, this choral piece draws its inspiration from the night to dive into zones of human intimacy that are often hidden.

This play was a shortlisted for the Governor General’s Award French Language Drama 2019, the Prix du livre d’Ottawa (2019) and the Emerging Author Award Prix littéraire Émergence de l’AAOF (2019).  It was the recipient of the Prix littéraire Trillium (2019).

This translation made possible by a grant from Canada Council for the Arts.

Meet our Playwright & Translator

About the playwright

LISA L’HEUREUX

LISA L’HEUREUX (she, her, hers) is an Ottawa-based playwright, director, and dramaturg. She is a graduate of University of Ottawa (B.A. in Theatre and History) and of University of British Columbia (M.A. in Theatre Research). With her company, Théâtre Rouge Écarlate, she has created Ciseaux, Pour l’hiver (Prix Jacques-Poirier 2017), and Et si un soir, cocreated Proximité and directed Projet D. She has had playwright residencies in Belgium (Mariemont, CED-WB), France (La Chartreuse de Villeneuve les Avignon) and with Théâtre du Trillium (Ottawa). She has contributed to many collaborative pieces, such as À quoi ça sert d’être brillant si t’éclaires personne (NAC French Theatre). As a dramaturg, Lisa worked with Satellite Théâtre (Moncton) and with Sudbury playwright Antoine Côté Legault. She recently completed a podcast version of Et si un soir

About the translator

Mishka Lavigne

Mishka Lavigne (she, her, hers) is a playwright and literary translator based in Ottawa/Gatineau. Her translation work for theatre has been seen in Ottawa, Montreal, and France. Héritage, her translation of Lorraine Hansberry’s A Raisin in the Sun opened the 2019-2020 season at Duceppe in Montreal. She is currently working on a French translation of Karen Hines’ All The Little Animals I Have Eaten. Her translations of poetry were published in Ontario and Québec, included the recently published Cette blessure est un territoire, a French translation of Billy-Ray Belcourt’s Griffin Poetry Prize winning collection This Wound is a World. Her own works include Cinéma (Théâtre la Catapulte and Théâtre Belvédère.), Vigile (Théâtre Rouge Écarlate). Her play Havre recently won the Governor General’s Literary Award for Drama (French) and was shortlisted for the Prix Michel-Tremblay.

About our Partners

About Presence Theatre (London, UK)

In 2005 a group of actors and directors began to meet to read plays, aiming simply to rediscover and enjoy great works of dramatic literature. By 2007 Presence Theatre was formed. The company has since presented a number of performances and staged readings and continues to hold workshops approaching different genres of drama from the actor’s and director’s perspective.  We embrace the classical and modern repertoire as well as new plays, with a particular interest in the avant-garde.  www.presencetheatre.com

About le Théâtre Rouge Écarlate

Founded in Ottawa in December 2012, le Théâtre Rouge Écarlate is dedicated to the exploration, creation, production and dissemination of new theatrical works. We are interested in challenging ourselves, bringing the texts of authors to the stage and delving into the creative process in order to stage daring projects that bear witness to our time and our humanity. www.theatrerougeecarlate.com

Land Acknowledgement

Bouche’s activities take place on and are launched from the unceded traditional territories of the Coast Salish People: the Musqueam, Squamish and Tsleil-Waututh First Nations. We recognize and honour the recommendations from the Truth and Reconciliation commission and acknowledge the importance of Indigenous sovereignty on this unceded territory.

*A territorial or land acknowledgement is an act of reconciliation that involves making a statement recognizing the traditional territory of the Indigenous people who called the land home before the arrival of settlers, and in many cases still do call it home.
For more information on the Truth and Reconciliation Commission of Canada click here.

A Glimpse into New Translation: Tales of the Sun

A Glimpse into New Translation: Tales of the Sun

A DIFFERENT LANGUAGE IS A DIFFERENT VISION OF LIFE

A glimpse into
new translation

Join us online for our English language new translation development workshop series.

Discover the leading new works of francophone Canadian theatre, meet the playwrights and their translators, and play a part in the new translation process.

FREE EVENT

In association with Axis Theatre, The Canadian Play Thing,
Presentation House Theatre, & The PHT Creative Hub Co-operative

TRILOGY OF AN EMIGRATION

“…the clear skies of hope, and poetry able to chase away the darkest clouds and the deepest suffering…a celebration of beauty.” – Le Soleil

Phillipe Soldevila’s award winning emigration trilogy is a deeply personal work taking us on a journey of two continents, and four generations. From Spain to Quebec, from 1917 to 2017, the tales of this trilogy explores identity, the encounter between cultures, and the search for belonging in Canadian culture.

Sunday March 28, 2021 | 12 pm Pacific / 3 pm Eastern / 8 pm GMT

Tales of the Sun

By Philippe Soldevila | Translated by Leanna Brodie
Translated from Conte du soleil (Quebec, Canada)

“…a brilliant conclusion to his trilogy on emigration, identity and resilience…
as humorous as it is moving…”
– MonThéâtre.qc.ca

Étienne, 10, and Octavio, his father, have isolated themselves from each oher. Étienne prefers his screens, his father takes refuge in his work. Exploring Etienne’s Spanish great-grandmother’s childhood, in the land of the Sun, these two may yet find a way back to each other and connect the worlds of multiple generations. The last chapter of a generational and deeply personal trilogy on the immigrant journey.

Featuring Rick Dobran, Allegra Fulton & Julie Leung

HOW TO ATTEND
Click this link at showtime:
http://bit.ly/Tales-Sun

Online venue opens 5 minutes prior to start. Latecomers welcome – audience does not appear on screen. Capacity 100.

This translatation was commissioned by Bouche Theatre Collective and made possible by a grant from Canada Council for the Arts.

Conte de la lune, Conte de la neige & Conte du soleil. Produced by Théâtre les Confettis with le Théâtre Sortie de Secours.  Photography by Louise Leblanc.

Meet our Playwright & Translator

About the playwright

Philippe Soldevila

(He, Him, His)

“I’m born of Quebec, both feet in the snow. My parents are born of nations under the sun. ” – Phillipe Soldevila

Philippe Soldevila is a leading francophone director, playwright, author, and translator. With a BA in French literature (Université Laval) and Theatre (University of Ottawa), he studied at the Conservatory of dramatic art of Quebec. He is the artistic director of Théâtre Sortie de Secours. In May 1998, he received the John Hirsch Award from the Canada Council for the Arts in recognition of his work as a director. He wrote and directed Tale of the Moon (Mask 2006 for Best Production for Young Audiences, Éloizes 2007 Production of the Year Award and ZOF Award of the French Cultural Federation and SAIC). His artistic approach is guided by his fascination with cultural intermingling and identity issues.

About the translator

Leanna Brodie

(She, Her, Hers)

Leanna Brodie is an actor, playwright, and translator whose passions include lifting up the stories and voices of women, and championing a new generation of French-Canadian playwrights by transmitting their extraordinary theatrical visions into the English language. Her original plays The Vic, For Home and Country, The Book of Esther, and Schoolhouse (Talon Books) have been performed across Canada. Her translations include Christian Bégin’s After Me and Why Are You Crying?; Louise Bombardier’s My Mother Dog; Annie Brocoli’s Stardust; Rébecca Déraspe’s You Are Happy, I Am William, and Gametes; Amélie Dumoulin’s Violette; Sébastien Harrisson’s From Alaska and Two-Part Inventions; Catherine Léger’s Opium_37 and I Lost My Husband!; David Paquet’s Wildfire and The Shoe; Olivier Sylvestre’s The Paradise Arms; Philippe Soldevila’s Tales of the Moon; Larry Tremblay’s Panda Panda; and multiple plays by Hélène Ducharme of Théâtre Motus, whose acclaimed, Dora Award-winning Baobab continues to tour China and the Americas after more than 600 performances.

Meet the workshop team

Tales of the Sun

RICK DOBRAN (HE, HIM, HIS)

Rick Dobran is an actor and writer living in Vancouver, BC. Rick is very excited to be able to contribute to this creative effort even through the pandemic.

Allegra Fulton (she, her, hers)

Allegra Fulton is an award winning actor and director, whose distinguished career has taken her across Canada, the U.S. and Europe winning accolades and critical praise portraying iconoclasts, sexy and dangerous women. She is proud to have shepherded the Catalan translation of THE LIST by Jennifer Tremblay, and directed the Catalan premiere of LA LLISTA in Barcelona’s prestigious LLuire Theatre, after having performed the English premiere of this wonderful play in Toronto. Her great grandfather, Jesus Garcia, having left Asturias settled in Australia, making a life for himself and his family, and at 40 years of age, returned to fight against Franco in the Spanish Civil War. He was caught in Barcelona and hidden by a family who helped him get back to Australia.  Grateful to be part of a play educating us all about a war that still is not easily, or often, spoken of. www.allegrafulton.com

Julie Leung (She, Her, Hers)

Julie is an actor and theatre artist from the Unceded Coast Salish Territories (Vancouver) and is currently residing in the Kulin Nations of the Boon Wurrung First Peoples (Melbourne). She has worked for numerous companies across Canada including Belfry Theatre, Arts Club Theatre, Western Canada Theatre, Green Thumb Theatre and Caravan Farm Theatre. Julie is a graduate of Studio 58.

Guest Dramaturgs

Chris McGregor (HE, HIM, HIS)

Chris McGregor has a Bachelor of Arts in Drama from Bishop’s University and a Masters in Theatre in Directing from the University of British Columbia. Chris has taught physical theatre, Commedia dell’arte, mask and Red Nose Clown at the University of British Columbia, Simon Fraser University, Bishop’s University and Studio 58. He has directed more than 60 productions across Canada and has won four Jessie Richardson Theatre Awards and nominated for four Ovation Awards for directing. Chris began as the Artistic Associate with Axis Theatre Company in 2014 and was appointed Artistic Director in 2015.

Kim Selody (HE, HIM, HIS)

Kim Selody has worked as a writer, director, and actor in Canada and internationally for over 30 years. He has directed more than 100 productions, many world premieres for youth and young audiences. Playwriting credits include Silverwing, The Hobbit, Fool’s Angel, Synthetic Energy, Suddenly Shakespeare and The Last Drop. His reach as a dramaturg has spanned decades, countless projects in many countries. Kim has served as Artistic Director of the Playwrights Theatre Centre, Carousel Players in Southern Ontario, and at Presentation House Theatre since 2011

Creative Producer: Jack Paterson (He, Him, his) *

Jack is an award winning theatre maker whose work and practice has taken him across Canada, UK, EU and around the world. Work has ranged from devising creation, multi-disciplinary, cross-cultural and multi-ligual projects to new works & texts, contemporary approaches to classical theatre. www.jackpatersontheatre.com

Learn more about gender affirming language here

This project is produced with the co-operation of the UBCP/ACTRA.

About our Partners

About Axis Theatre

Axis Theatre is an entertaining, smart and inspirational company focused on engaging young and young-at-heart audiences. In the age of “looking down,” Axis draws young eyes up to engage them in interactive experiences that educate, inspire and transform.  www.axistheatre.com

 

About The Presentation House Theatre

Presentation House Theatre (PHT) is the north shore’s professional theatre company, where ideas play and grow into quality performing arts for all ages. For more than 40 years, friends and strangers have gathered in this welcoming space to enjoy innovative programming and quality professional shows.  www.phtheatre.org 

About Théâtre Sortie de secours

Since its founding in 1989, Sortie de Secours has devoted itself to the creation of original theatrical works, most often in collaboration with artists from outside its immediate milieu. These encounters being both drive and fuel the approach. The theatrical act is an medium to explore the complexity of identity issues and experience the diversity and marriage of voices. Sortie de Secours is also devoted to creating work inspired by art, literature, myths and international practices, with the aim of generating, through this “cultural distance”, a critical look at our own individual and collective behaviors, both among creators and spectators. Théâtre Sortie de Secours

 

About The Canadian Play Thing

The Canadian Play Thing is a playwright-centred virtual theatre that shares live readings of new and under-produced Canadian plays online. The goal is to support and celebrate the work of playwrights, and to connect our theatre family across the country. Artists and audiences around the world are welcome. www.plaything.ca

About The PHT Creative Hub
Co-operative

The PHT Creative Hub Co-operative has transformed how we collaborate and share performing arts with our communities. Co-op artist members from across performance disciplines fill our spaces, work on their own creative projects, and share their skills and expertise with each other. The PHT Creative Hub Co-operative

 

Francophone Canadian Theatre Resources

About Centre des auteurs dramatique

An association of authors serving authors, CEAD is a centre for the support, promotion and dissemination of French-language dramaturgy here. It occupies a unique place both in terms of the number of authors it brings together and the objectives of quality and innovation it pursues. www.cead.qc.ca

About Playwrights’ Workshop Montreal

Playwrights’ Workshop Montréal is a new creation development centre. PWM gives artists the opportunity to create and experiment, dream and take risks, fail and try again. Our dynamic collaborative process draws on our team’s unique expertise and is tailored to the artist’s individual needs. At PWM, playwrights, dramaturgs, translators, directors, performance artists, and theatre companies across the country find a creative accomplice willing to invest deeply in the development of meaningful work. www.playwrights.ca

Special

Thank You

Antigone in the Spring

Antigone in the Spring

Antigone in the Spring

By Nathalie Boisvert | Translated by Hugh Hazelton

 

Running Time:
1 hr 15

Characters:
1 F / 2 M

This translation was made possible by a grant from Canada Council for the Arts.

Antigone in the Spring

By Nathalie Boisvert
Translated by Hugh Hazelton
Translated from Antigone en printemps (Quebec, Canada)

“The character of Antigone in Nathalie Boisvert’s beautiful text is so close to us. The young woman’s personality echoes through Rivière-Éternité in her rejection of all authority…It’s impossible not to feel the contemporary connections such as the student demonstrations of the spring of 2012, a rebellion that is now part of Quebec’s history.” – Sorstu.ca

In this contemporary reimagining of Antigone, in a Montreal of now and myth, birds fall from the sky in the thousands and rot under the sun of an early spring. Antigone and her two brothers, Étéocle and Polynice, are swept up the popular revolution rumbling through the city. Each must chooses a side: Polynice and Antigone join the protesters and the people, Étéocle, joins the repressive forces of Creon and the state. During a riot, the two brothers clash and kill each other. Polynice’s body becomes evidence to incriminate the protesters. How can Antigone, despite all the obstacles, escape the fury of power? In times of unrest, how do you stay whole, and true?

Antigone au printemps was first produced in 2017 (Théâtre Fred-Barry) in Montreal by Le Dôme créations théâtrales, directed by Frédéric Sasseville-Painchaud. It received the Prix Émilie Augier from the Académie Française; and was shortlisted for the Governor General’s Award for French Language Drama. In May 2019, it received a dramatic reading at the Teamtheatre Global Quebec event in Munich, Germany.

This translation was made possible by a grant from Canada Cousil for the Arts.

Original Production: Frédéric Millaire-Zouvi (left), Xavier Huard (right) et Léane Labrèche-Dor (center)
Photo credit: @Francis Sercia

About the playwright

Nathalie Boisvert

Nathalie Boisvert holds a bachelor’s degree in acting and a master’s degree in drama from the University of Quebec in Montreal (1993). In 1997, her first play, The Sordid Story of Conrad B., was performed at the Festival ide Spa (Belgium), remounted in Brussels and translated into English by Bobby Theodore. In 1999, her work, L’été des Martiens (Lansman),__ premiered simultaneously in Quebec (Théâtre Niveau Parking) and France (La Comédie de la Mandoune) and again produced simultaneously in 2006 in Dusseldorf (Landstheatre) and Berlin (Grips) in German translation by Frank Heibert. Translated into English by Bobby Theodore, it was also produced in 2002 by Theatre Direct (Toronto). In 2006, her play Vie et Mort d’un village, received lauréate des Journées de Lyon (Éditions Comp’Act) and she received le Prix Gratien-Gélinas in 2007 for Buffet chinois. Her Antigone au printemps was a finalist for the 2018 Governor General’s Award French Language Drama and received the Prix Émile-Augier.

About the translator

Hugh Hazelton

Hugh Hazelton is a Montreal writer and translator who specializes in Quebec and Latin American literature. He has written four books of poetry, including Antimatter (Broken Jaw Press, 2nd edition, with CD, 2010), as well as Latinocanadá: A Critical Study of Ten Latin American Writers of Canada (McGill-Queen’s University Press, 2007), which received the Best Book of the Year award from the Canadian Association of Hispanists. He has translated twenty works of poetry, theatre and fiction from French, Spanish and Portuguese into English. His latest translations are Volume I of the complete works of the Argentine avant-garde poet Oliverio Girondo (Wolsak & Wynn, 2018), and The Doorman of Windsor Station, a play by Julie Vincent (Playwrights Canada Press, 2017). His translation of Vétiver, a book of poems by Joël Des Rosiers, won the Governor General’s award for French-English translation in 2006. He is a professor emeritus of Spanish at Concordia University in Montreal and former co-director of the Banff International Literary Translation Centre. In 2016 he received the Linda Garboriau Award from the Banff Centre for his work on behalf of literary translation in Canada, and in 2018 he was awarded the Prix de poésie Lèvres urbaines by Les Écrits des Forges for his dedication to the advancement of poetry. He is an honorary member of the Literary Translators’ Association of Canada.

Translation Showcase

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A Glimpse into New Translation: Tales of the Snow

A Glimpse into New Translation: Tales of the Snow

A DIFFERENT LANGUAGE IS A DIFFERENT VISION OF LIFE

A glimpse into
new translation

Join us online for our English language new translation development workshop series.

Discover the leading new works of francophone Canadian theatre, meet the playwrights and their translators, and play a part in the new translation process.

FREE EVENT

In association with Axis Theatre, The Canadian Play Thing,
Presentation House Theatre, & The PHT Creative Hub Co-operative

TRILOGY OF AN EMIGRATION

“…the clear skies of hope, and poetry able to chase away the darkest clouds and the deepest suffering…a celebration of beauty.” – Le Soleil

Phillipe Soldevila’s award winning emigration trilogy is a deeply personal work taking us on a journey of two continents, and four generations. From Spain to Quebec, from 1917 to 2017, the tales of this trilogy explores identity, the encounter between cultures, and the search for belonging in Canadian culture.

HOW TO ATTEND
Click this link at showtime:
http://bit.ly/Tales-Snow

Online venue opens 5 minutes prior to start. Latecomers welcome – audience does not appear on screen. Capacity 100.

 

Sunday March 21, 2021 | 12 pm Pacific / 3 pm Eastern / 8 pm GMT

Tales of the Snow

By Philippe Soldevila | Translated by Leanna Brodie
Translated from Conte de la neige (Quebec, Canada)

“A moving play on family, separation and resilience.”
– ICI Radio-Canada

Nothing is more natural for a 10 year old boy born in Quebec in the early 1970s to dream of skating like Guy Lafleur. And our young hero is no exception to this rule. Except that, for more great and only woe, his name is Octavio Casesnoves-Ruiz. For Octavio, this difference is a weight that he refuses to bear. The old stories and values of his Spanish father, a victim of the Spanish cvil war, are of no interest to him until his grandmother gives him a pathway to understanding.

Featuring Lucia Frangione, Ming Hudson & Michael Scholar, Jr.

This translatation was commissioned by Bouche Theatre Collective and made possible by a grant from Canada Council for the Arts.

Conte de la lune, Conte de la neige & Conte du soleil. Produced by Théâtre les Confettis with le Théâtre Sortie de Secours.  Photography by Louise Leblanc.

Meet our Playwright & Translator

About the playwright

Philippe Soldevila

(He, Him, His)

“I’m born of Quebec, both feet in the snow. My parents are born of nations under the sun. ” – Phillipe Soldevila

Philippe Soldevila is a leading francophone director, playwright, author, and translator. With a BA in French literature (Université Laval) and Theatre (University of Ottawa), he studied at the Conservatory of dramatic art of Quebec. He is the artistic director of Théâtre Sortie de Secours. In May 1998, he received the John Hirsch Award from the Canada Council for the Arts in recognition of his work as a director. He wrote and directed Tale of the Moon (Mask 2006 for Best Production for Young Audiences, Éloizes 2007 Production of the Year Award and ZOF Award of the French Cultural Federation and SAIC). His artistic approach is guided by his fascination with cultural intermingling and identity issues.

About the translator

Leanna Brodie

(She, Her, Hers)

Leanna Brodie is an actor, playwright, and translator whose passions include lifting up the stories and voices of women, and championing a new generation of French-Canadian playwrights by transmitting their extraordinary theatrical visions into the English language. Her original plays The Vic, For Home and Country, The Book of Esther, and Schoolhouse (Talon Books) have been performed across Canada. Her translations include Christian Bégin’s After Me and Why Are You Crying?; Louise Bombardier’s My Mother Dog; Annie Brocoli’s Stardust; Rébecca Déraspe’s You Are Happy, I Am William, and Gametes; Amélie Dumoulin’s Violette; Sébastien Harrisson’s From Alaska and Two-Part Inventions; Catherine Léger’s Opium_37 and I Lost My Husband!; David Paquet’s Wildfire and The Shoe; Olivier Sylvestre’s The Paradise Arms; Philippe Soldevila’s Tales of the Moon; Larry Tremblay’s Panda Panda; and multiple plays by Hélène Ducharme of Théâtre Motus, whose acclaimed, Dora Award-winning Baobab continues to tour China and the Americas after more than 600 performances.

Meet the workshop team

Tales of the Snow

Lucia Frangione (She, her, hers)

Lucia Frangione is an award winning actor and internationally produced playwright from Vancouver. Favourite roles include Annie in Misery for the Arts Club, Rosa in Espresso for The Belfry and Estelle in No Exit for the Electric Theatre Co/Virtual Stage. www.LuciaFrangione.com

MING HUDSON (SHE, HER, HERS)

Ming is a performer, director, deviser, facilitator, and teacher who specializes in physical theatre and the creation of new work as a collective ensemble. She has worked with The Arts Club, Bard on the Beach, Theatre Replacement, Atomic Vaudeville, The Firehall, and Boca del Lupo, and is currently a faculty member at CCPA.

MICHAEL SCHOLAR, JR. (HE, HIM, HIS)

Michael is the Artistic Director of November Theatre, whose notable productions include The Black Rider (National Tour) and Hard Core Logo: Live (PuSh Festival). Michael has directed and acted with companies across North America including La Mama (NY), Globe Theatre (Regina), Oregon Shakespeare Festival, Ex Machina (Quebec), Tarragon (Toronto), Arts Club Theatre (Vancouver), Catalyst Theatre (Edmonton) and Belfry Theatre (Victoria) to name a few.  www.novembertheatre.com

Guest Dramaturgs

Chris McGregor (HE, HIM, HIS)

Chris McGregor has a Bachelor of Arts in Drama from Bishop’s University and a Masters in Theatre in Directing from the University of British Columbia. Chris has taught physical theatre, Commedia dell’arte, mask and Red Nose Clown at the University of British Columbia, Simon Fraser University, Bishop’s University and Studio 58. He has directed more than 60 productions across Canada and has won four Jessie Richardson Theatre Awards and nominated for four Ovation Awards for directing. Chris began as the Artistic Associate with Axis Theatre Company in 2014 and was appointed Artistic Director in 2015.

Kim Selody (HE, HIM, HIS)

Kim Selody has worked as a writer, director, and actor in Canada and internationally for over 30 years. He has directed more than 100 productions, many world premieres for youth and young audiences. Playwriting credits include Silverwing, The Hobbit, Fool’s Angel, Synthetic Energy, Suddenly Shakespeare and The Last Drop. His reach as a dramaturg has spanned decades, countless projects in many countries. Kim has served as Artistic Director of the Playwrights Theatre Centre, Carousel Players in Southern Ontario, and at Presentation House Theatre since 2011

Creative Producer: Jack Paterson (He, Him, his) *

Jack is an award winning theatre maker whose work and practice has taken him across Canada, UK, EU and around the world. Work has ranged from devising creation, multi-disciplinary, cross-cultural and multi-ligual projects to new works & texts, contemporary approaches to classical theatre. www.jackpatersontheatre.com

Learn more about gender affirming language here

This project is produced with the co-operation of the UBCP/ACTRA.

About our Partners

About Axis Theatre

Axis Theatre is an entertaining, smart and inspirational company focused on engaging young and young-at-heart audiences. In the age of “looking down,” Axis draws young eyes up to engage them in interactive experiences that educate, inspire and transform.  www.axistheatre.com

 

About The Presentation House Theatre

Presentation House Theatre (PHT) is the north shore’s professional theatre company, where ideas play and grow into quality performing arts for all ages. For more than 40 years, friends and strangers have gathered in this welcoming space to enjoy innovative programming and quality professional shows.  www.phtheatre.org 

About Théâtre Sortie de secours

Since its founding in 1989, Sortie de Secours has devoted itself to the creation of original theatrical works, most often in collaboration with artists from outside its immediate milieu. These encounters being both drive and fuel the approach. The theatrical act is an medium to explore the complexity of identity issues and experience the diversity and marriage of voices. Sortie de Secours is also devoted to creating work inspired by art, literature, myths and international practices, with the aim of generating, through this “cultural distance”, a critical look at our own individual and collective behaviors, both among creators and spectators. Théâtre Sortie de Secours

 

About The Canadian Play Thing

The Canadian Play Thing is a playwright-centred virtual theatre that shares live readings of new and under-produced Canadian plays online. The goal is to support and celebrate the work of playwrights, and to connect our theatre family across the country. Artists and audiences around the world are welcome. www.plaything.ca

About The PHT Creative Hub
Co-operative

The PHT Creative Hub Co-operative has transformed how we collaborate and share performing arts with our communities. Co-op artist members from across performance disciplines fill our spaces, work on their own creative projects, and share their skills and expertise with each other. The PHT Creative Hub Co-operative

 

Francophone Canadian Theatre Resources

About Centre des auteurs dramatique

An association of authors serving authors, CEAD is a centre for the support, promotion and dissemination of French-language dramaturgy here. It occupies a unique place both in terms of the number of authors it brings together and the objectives of quality and innovation it pursues. www.cead.qc.ca

About Playwrights’ Workshop Montreal

Playwrights’ Workshop Montréal is a new creation development centre. PWM gives artists the opportunity to create and experiment, dream and take risks, fail and try again. Our dynamic collaborative process draws on our team’s unique expertise and is tailored to the artist’s individual needs. At PWM, playwrights, dramaturgs, translators, directors, performance artists, and theatre companies across the country find a creative accomplice willing to invest deeply in the development of meaningful work. www.playwrights.ca

Special

Thank You

A Glimpse into New Translation: Tales of the Moon

A Glimpse into New Translation: Tales of the Moon

A DIFFERENT LANGUAGE IS A DIFFERENT VISION OF LIFE

A glimpse into
new translation

Join us online for our English language new translation development workshop series.

Discover the leading new works of francophone Canadian theatre, meet the playwrights and their translators, and play a part in the new translation process.

FREE EVENT

In association with Axis Theatre, The Canadian Play Thing,
Presentation House Theatre, & The PHT Creative Hub Co-operative

Sunday, March 14, 2021 | 12 pm Pacific / 3 pm Eastern / 8 pm GMT

Tales of the Moon

By Philippe Soldevila | Translated by Leanna Brodie
Inspired & adapted from shorts stories by Pere Calders
Translated from Conte de la lune (Quebec, Canada)

“…the clear skies of hope, and poetry able to chase away the darkest clouds and the deepest suffering…a celebration of beauty.” – Le Soleil

Nothing is impossible when you believe in your dreams, you can even go to the moon. A diary in an abandoned suitcase carries us back to the 1940s, to a little Catalan village in the heart of Spain. Joan is ten years old. The war that has torn his country apart is finally over, and after an absence of five years, his father at last returns home. Joan’s wild imagination helps him to survive a father imprisoned by Franco’s fascists, the disappearance of his dog – and the fact that he’s rotten at math! Years later, his diary tells of the Spanish Moon, of lemon trees, and of long forgotten days.

Featuring Carmen Aguirre, Anthony Santiago, Micheal Scholar, JR, and Sabrina Vellani

The translatation of Tales of the Moon was comissioned by Théâtre les Confettis.  Tales of the Snow and Tales of the Sun where commissioned by Bouche Theatre Collective and made possible by a grant from Canada Council for the Arts.

Online venue opens 5 minutes prior to start. Capacity 100. Latecomers welcome – audience does not appear on screen.

Conte de la lune, Conte de la neige & Conte du soleil. Produced by Théâtre les Confettis with le Théâtre Sortie de Secours.  Photography by Louise Leblanc.

Meet our Playwright & Translator

About the playwright

Philippe Soldevila

(He, Him, His)

“I’m born of Quebec, both feet in the snow. My parents are born of nations under the sun. ” – Phillipe Soldevila

Philippe Soldevila is a leading francophone director, playwright, author, and translator. With a BA in French literature (Université Laval) and Theatre (University of Ottawa), he studied at the Conservatory of dramatic art of Quebec. He is the artistic director of Théâtre Sortie de Secours. In May 1998, he received the John Hirsch Award from the Canada Council for the Arts in recognition of his work as a director. He wrote and directed Tale of the Moon (Mask 2006 for Best Production for Young Audiences, Éloizes 2007 Production of the Year Award and ZOF Award of the French Cultural Federation and SAIC). His artistic approach is guided by his fascination with cultural intermingling and identity issues.

About the translator

Leanna Brodie

(She, Her, Hers)

Leanna Brodie is an actor, playwright, and translator whose passions include lifting up the stories and voices of women, and championing a new generation of French-Canadian playwrights by transmitting their extraordinary theatrical visions into the English language. Her original plays The Vic, For Home and Country, The Book of Esther, and Schoolhouse (Talon Books) have been performed across Canada. Her translations include Christian Bégin’s After Me and Why Are You Crying?; Louise Bombardier’s My Mother Dog; Annie Brocoli’s Stardust; Rébecca Déraspe’s You Are Happy, I Am William, and Gametes; Amélie Dumoulin’s Violette; Sébastien Harrisson’s From Alaska and Two-Part Inventions; Catherine Léger’s Opium_37 and I Lost My Husband!; David Paquet’s Wildfire and The Shoe; Olivier Sylvestre’s The Paradise Arms; Philippe Soldevila’s Tales of the Moon; Larry Tremblay’s Panda Panda; and multiple plays by Hélène Ducharme of Théâtre Motus, whose acclaimed, Dora Award-winning Baobab continues to tour China and the Americas after more than 600 performances.

Meet the workshop teams

Tales of the Moon

Carmen Aguirre (She, her, hers)

Carmen is a multiple-award winning theatre artist and author and a Core Artist at Electric Company Theatre. She is the writer of the international bestseller Something Fierce: Memoirs of a Revolutionary Daughter and its bestselling sequel Mexican Hooker #1 and My Other Roles Since the Revolution. She has written and co-written twenty-five plays and has over eighty film, tv, and stage acting credits. www.carmenaguirre.ca

ANTHONY SANTIAGO (HE, HIM, HIS)

Anthony’s selected theatre credits include: Best of Enemies (Pacific Theatre), Coriolanus (Bard on the Beach), Company (Raincity Theatre), Sweat (The Arts Club/The Citadel Theatre), Dear Elizabeth (Wunderdog Theatre) Superior Donuts (Ensemble Theatre Company), True West (Sonderhouse Productions). Special love and thanks to his family, friends, Nya-Manet, James and AKC.

MICHAEL SCHOLAR, JR. (HE, HIM, HIS)

Michael is the Artistic Director of November Theatre, whose notable productions include The Black Rider (National Tour) and Hard Core Logo: Live (PuSh Festival). Michael has directed and acted with companies across North America including La Mama (NY), Globe Theatre (Regina), Oregon Shakespeare Festival, Ex Machina (Quebec), Tarragon (Toronto), Arts Club Theatre (Vancouver), Catalyst Theatre (Edmonton) and Belfry Theatre (Victoria) to name a few.  www.novembertheatre.com

Sabrina Vellani (She, Her, Hers)

Sabrina Vellani is an Indo-Canadian actor and poet. She graduated from UBC’s BFA Theatre Acting program in 2018. She has acted in Killjoy Theatre’s Burqa Boutique and Axis Theatre’s co-production with Babelle Theatre: All My Friends Are Animals. She was recently in Five Cedar Films’ Speak, which premiered at IFFSA’s 2020 Festival. IMBD

Guest Dramaturgs

Kim Selody (HE, HIM, HIS)

Kim Selody has worked as a writer, director, and actor in Canada and internationally for over 30 years. He has directed more than 100 productions, many world premieres for youth and young audiences. Playwriting credits include Silverwing, The Hobbit, Fool’s Angel, Synthetic Energy, Suddenly Shakespeare and The Last Drop. His reach as a dramaturg has spanned decades, countless projects in many countries. Kim has served as Artistic Director of the Playwrights Theatre Centre, Carousel Players in Southern Ontario, and at Presentation House Theatre since 2011

Creative Producer: Jack Paterson (He, Him, his) *

Jack is an award winning theatre maker whose work and practice has taken him across Canada, UK, EU and around the world. Work has ranged from devising creation, multi-disciplinary, cross-cultural and multi-ligual projects to new works & texts, contemporary approaches to classical theatre. www.jackpatersontheatre.com

Learn more about gender affirming language here

This project is produced with the co-operation of the UBCP/ACTRA.

About our Partners

About Axis Theatre

Axis Theatre is an entertaining, smart and inspirational company focused on engaging young and young-at-heart audiences. In the age of “looking down,” Axis draws young eyes up to engage them in interactive experiences that educate, inspire and transform.  www.axistheatre.com

 

About The Presentation House Theatre

Presentation House Theatre (PHT) is the north shore’s professional theatre company, where ideas play and grow into quality performing arts for all ages. For more than 40 years, friends and strangers have gathered in this welcoming space to enjoy innovative programming and quality professional shows.  www.phtheatre.org 

About Théâtre Sortie de secours

Since its founding in 1989, Sortie de Secours has devoted itself to the creation of original theatrical works, most often in collaboration with artists from outside its immediate milieu. These encounters being both drive and fuel the approach. The theatrical act is an medium to explore the complexity of identity issues and experience the diversity and marriage of voices. Sortie de Secours is also devoted to creating work inspired by art, literature, myths and international practices, with the aim of generating, through this “cultural distance”, a critical look at our own individual and collective behaviors, both among creators and spectators. Théâtre Sortie de Secours

 

About The Canadian Play Thing

The Canadian Play Thing is a playwright-centred virtual theatre that shares live readings of new and under-produced Canadian plays online. The goal is to support and celebrate the work of playwrights, and to connect our theatre family across the country. Artists and audiences around the world are welcome. www.plaything.ca

About The PHT Creative Hub
Co-operative

The PHT Creative Hub Co-operative has transformed how we collaborate and share performing arts with our communities. Co-op artist members from across performance disciplines fill our spaces, work on their own creative projects, and share their skills and expertise with each other. The PHT Creative Hub Co-operative

 

Francophone Canadian Theatre Resources

About Centre des auteurs dramatique

An association of authors serving authors, CEAD is a centre for the support, promotion and dissemination of French-language dramaturgy here. It occupies a unique place both in terms of the number of authors it brings together and the objectives of quality and innovation it pursues. www.cead.qc.ca

About Playwrights’ Workshop Montreal

Playwrights’ Workshop Montréal is a new creation development centre. PWM gives artists the opportunity to create and experiment, dream and take risks, fail and try again. Our dynamic collaborative process draws on our team’s unique expertise and is tailored to the artist’s individual needs. At PWM, playwrights, dramaturgs, translators, directors, performance artists, and theatre companies across the country find a creative accomplice willing to invest deeply in the development of meaningful work. www.playwrights.ca

Special

Thank You