The Naughty Children’s Bedtime Stories Workshop Reading

The Naughty Children’s Bedtime Stories Workshop Reading

DATES & Times

June 4, 5:45 PM

Location

The Presentation House Theatre
333 Chesterfield Avenue,
North Vancouver, BC V7M 3G9

The Presentation House Theatre
In association with Bouche Theatre Collectve

DIGITAL CHALLENGES FOR YOUNG PEOPLE IN THEATRE: A NATIONAL CONFERENCE

The Naughty Children’s Bedtime Stories

By Étienne Lepage
Directed & Translated by Jack Paterson*
Featuring Corina Akeson*, Leanna Brodie*, Art Kitching* and Anthony Santiago*
Stage Managed/ Assistant Directed by Marie Pike

“I was thoroughly engrossed – what a clever, funny, edgy piece!”
Tessa Mendel, Artistic Director, Halifax Theatre for Young People

Eight terrible stories spring from the fertile imaginations two little good-for-nothings who refuse to go to bed. Spooking each other, they make up creepy, fun-filled stories, test boundaries, and explore what’s real and what’s not.  2015 French Language Governor General’s Awards finalist.

Special thank you to dramaturge Johanna Nutter and Playwrights Atlantic Resource Centre.

Gallery

Staged Reading: Nous Voir Nous (London, UK)

Staged Reading: Nous Voir Nous (London, UK)

DATES & Times

March 24, 2018, 4 PM
Location: Landor Spaces: 70 Landor Road, London, United Kingdom SW9 9PH
Standard £12 – Concessions £10
Oh Canada F(eh)stival

Location

Landor Spaces: 70 Landor Road, London, United Kingdom SW9 9PH
Standard £12 – Concessions £10

Oh Canada F(Eh)stival
In association with Bouche Theatre Collectve

NOUS VOIR NOUS:
5 Faces of Camille Brunelle

Written by Guillaume Corbeil
Translated into English by Jack Paterson

Who are we? What are we? What defines identity, language, and human interaction in the era of online social networking? Five online personalities create their tastes, their knowledge, and everything what they have seen, thought, experienced or imagined in a battle to define their personalities and place in the world.

Reviews:
“…the highlight of last season…” – Philippe Couture, Voir
“…provocative, compelling…audacious and successful both in form and in content.” – Luc Boulanger, La Presse

“A brilliant text by Guillaume Corbeil…a reflection on our disturbing need for attention, our desire for a stage, our indifference, and especially our solitude .” – Natalia Wysocka, Métro

About The Playwright:
Guillaume Corbeil

Guillaume Corbeil is a leading new voice in Quebecois francophone theatre. In 2008, Guillaume Corbeil published a collection of articles entitled L’art de la fugue (Éditions La Instant), which was a Governor General’s awards finalist and recipient of the Adrienne-Choquette award. In September 2009, he published his first novel, Pleurer comme dans les films (Leméac). In 2010, commissioned by Libre Expression, he wrote Brassard, a biography of acclaimed director André Brassard. In 2011, he graduated from the French language writing program at The National Theatre School of Canada. Since then he has written for the stage Le Mécanicien, Tu iras la chercher and Nous voir nous. His work has been seen at Espace Go and Theatre d’aujourd’hui. He was awarded the Critics ‘ Prize for the Best New Play, the Prix Michel Tremblay and the audience choice Primers Festival in Saarbrücken, Germany.

About the Play:

“Social Media is such a rich subject. This network requires us to ask ourselves fundamental questions about our society: what exists? Where do we exist? Who are we? It’s also a piece on the loss of the language; we communicates on Facebook by clicking “like” and exchanging YouTube videos! We “like”, but have nothing to say and define ourselves through the words of others.” – Guillaume Corbeil

Production & Awards:
2013:
– Théâtre PàP, Directed by Claude Poison and was presented at the National Arts Centre (Ottawa)
– Espace Go (Montréal)
– Théâtre de la Manufacture (Avignon)
– The Primeurs Festival (Saarbrücken, GER)

2014:
– Theater der Jungen Welt (Leipzig, GER) under the title Man sieht sich, translated by Frank Heibert 

Awards:
Prix Michel-Tremblay (Montreal, CAN)
Le Prix De La Critique: Outstanding New Text (Montreal, CAN)
Audience Choice Award, Primeurs Festival (Saarbrücken, Germany)

Translation Commission & Workshop: Robin & Marion

Translation Commission & Workshop: Robin & Marion

BoucheWHACKED! Theatre Collective
in Association with PTC, Ruby Slippers Theatre and Upintheair Theatre

MAY 21, 3PM
English Language Premiere
ROBIN & MARION
By Étienne Lepage
Translated by Bobby Theodore
Dramaturged and Directed by Mindy Parfitt

Featuring Meaghan Chenosky*, Matt Reznek, Matreya Scarrwener* & Markian Tarasiuk*

In a bucolic, distant and dark universe, while the adults sleep, the young in the forest chasing each other like beasts. Love, revenge, confusion. A voyage to the end of night where age-old desires take hold.

“This is a trigger event of passion for young people…it’s pure, it’s charged with sensation, it’s very contemporary, with beautiful language…” – Claudia Larochelle, On aura tout vu, 98,5 FM

Join us for a talk back with the playwright and translator after the performance.

The Cultch | The Founders’ Lounge | 1895 Venables Street
PAY WHAT YOU CAN AT THE DOOR

This translation was commissioned with the support of Canada Council for the Arts.

Étienne Lepage, Playwright

Étienne Lepage is playwright, scriptwriter, translator and transdisciplinary creator. Based in Montreal, his work has been seen across North America and Europe. Among his many creations, are Rouge Gueule, L’Enclos de l’éléphant, Ainsi parlait…et Histoires pour faire des cauchemars.  His work has twice been a finalist for The Governor General Award French Language Theatre

Bobby Theodore, Translator

Bobby Theodore is a screenwriter, playwright, and translator. Bobby’s worked on several TV series, including Murdoch Mysteries, Flashpoint, and Knuckleheads (an adaptation of the hit Québecois cartoon, Têtes à claques). He’s also written episodes for the acclaimed CBC radio drama, Afghanada. Nominated for a Governor General Award in 1999 for his translation of 15 Seconds by François Archambault, Bobby has now translated over 20 plays from French to English. For the stage, Bobby co-created 300 Tapes (with Ame Henderson), a devised performance that premiered at the Theatre Centre in Toronto and at ATP in Calgary, and he’s currently working on Swallow, a play set in the drama-filled world of minor hockey. His translation of François Archambault’sYou Will Remember Me, which premiered at ATP and won a Betty Mitchell Award for Outstanding New Play, will be staged at Tarragon Theatre this spring. Bobby is the resident dramaturg and host of the Glassco Translation Residency in Tadoussac.

Mindy Parfitt, Dramaturge and Director

Mindy Parfitt is a founding Co-Artistic Director of Horseshoes & Hand Grenades. Theatre credits for HHG include directing This Stays in the Room, Palace of the End, 4.48 Psychosis and You Are Here. For the Arts Club, Mindy directed the World Premiere of Colleen Murphy’s Armstrong’s War and Joan MacLeod’s The Valley. This past spring she directed Hooker Monologues, which told true stories about sex work performed by sex workers and their allies. In 2012 Mindy completed her MFA in Directing at UBC.

Translation Workshop: I’m Not Here

Translation Workshop: I’m Not Here

Eflyer I'm Not HereBoucheWHAKED! Theatre Collective
In association with PTC, Ruby Slippers Theatre and Upintheair Theatre

MAY 22, 2:30 PM
West Coast English Language Premiere
I’M NOT HERE
By Marie-Claude Verdier | Translated by Alexis Diamond | Directed by Heidi Taylor

Featuring Melissa Oei*

In a torrent of words, a young woman describes her unraveling daily existence, slipping inevitably towards the brutal unknown.  Between her boss’s cupcake schedule and the distractions of her life as an urban singleton, she breaks down: a total implosion. Nothing’s ever over because nothing ever starts.

“This play of Marie-Claude Verdier’s…in fact her first attempt on the dramatic writing scene and it is excellent.” – Anne Michaud, Bernier et Cie, Radio-Canada Première Ottawa

Winner of Playwrights’ Workshop Montreal’s Cole Foundation Translation Competition

The Cultch | The Founders’ Lounge | 1895 Venables Street
PAY WHAT YOU CAN AT THE DOOR

Marie-Claude Verdier, Playwright

Marie-Claude Verdier took her first steps in playwriting as a teenager when her tale Paradise.com was selected by Théâtre le Clou for Les nouveaux Zurbains série III in 1999. The text was published in the collection The Zurbains with Dramaturges éditeurs and in Jamais de la Vie by Éditions du Passage. She continued her career by studying at the École Supérieure de Théâtre de L’UQAM in criticism and dramaturgy and she did a master’s degree on the dramaturgy of the museums at the University of Glasgow in Scotland. In the fall of 2013, her first play Je n’y suis plus was presented at the french Theatre of the NAC and at Zones Théâtrales . This production received two Prix Rideau Awards.

Alexis Diamond, Translator

Alexis Diamond is a Montreal-based playwright, opera librettist, musical lyricist and translator. Recently, Alexis won a Glassco Translation Residency in Tadoussac, Quebec, and an Individual Artist residency at the international Saari Residence, Finland. Her award-winning plays, operas and translations for audiences of all ages have been presented across Canada, in the U.S. and in the U.K. She is currently working on Strange Land, a historical epic set in Montreal in 1942, and two musicals. She is co-founder of Composite Theatre Co., a long-standing member of Playwrights’ Workshop Montréal and an active member of Montreal’s Espace Freestanding Room.

 

Heidi Taylor, Dramaturge & Director

Heidi Taylor’s passion for theatre was ignited when she played a robot in a grade six play. Since then, she has moved from acting to dramaturgy as her primary creative activity. Her background in performance creation with cross-disciplinary company Proximity Arts sparked her beginner-mind approach to dramaturgy. She applies principles learned from early mentors DD Kugler and One Yellow Rabbit, and relies on her hands-on experiences with Public Dreams and Leaky Heaven Circus to maintain a sense of passionate liveness in the work. She is interested in the “how” of theatre – how do we create collaborative relationships and processes that inspire artists to make necessary work with transformative power?

Translation Workshop: Nous voir nous

Translation Workshop: Nous voir nous

BoucheWHACKED! Theatre Collective & Ruby Slippers Theatre present
Ta Gueule Translation Workshop & Reading Series
In Association with PTC

West Coast English Language Premiere
NOUS VOIR NOUS
By Guillaume Corbeil
Translated by Jack Paterson
Dramaturged & Directed by Heidi Taylor

Featuring Trisha Li, Sarah Roa, Kacey Rohl, Sean Patrick Sonier & Deneh Thompson

“I’m not who you think I am, I’m just me”

Five young people reveal their lives and relationships though a series of social networking websites. Scene after scene, they shape and reshape their identities, each seeking to prove their own uniqueness.

1h30

WHEN
May 30, 2016
3 PM

TICKETS
Pay What You Can
at the Door

The Team

About The Playwright: Guillaume Corbeil

In 2008, Guillaume Corbeil published a collection of short stories entitled L’art de la fugue (éditions L’Instant Même) that was shortlisted for the Governor General’s Award and recipient of the prix Adrienne-Choquette. In 2009, he published his first novel, Pleurer comme dans les films published by Leméac then in 2010 for Libre Expression, he wrote Brassard, a biography of the famous Director André Brassard. In 2011, he completed his training in playwriting at the National Theatre School of Canada. Since then, he has written for the stage Le Mécanicien, Tu iras la chercher, Unité modèle – which will be presented in 2016 Centre du théâtre d’aujourd’hui. Nous voir nous produced in 2013 by Pap theatre under the title Cinq visages pour Camille Brunelle and presented at Espace Go in Montréal, at the Théâtre de la Manufacture in Avignon and at the National Arts Centre in Ottawa. The play has been awarded le prix de la critique for Outstanding New Text, le prix Michel-Tremblay and the audience award at the Primeurs Festival in Saarbrücken, Germany. In September 2014, it was produced in German, at the Theater der Jungen Welt, Leipzig.

About the Translator: Jack Paterson

Jack is an award winning director, dramaturge, actor and theatre creator whose work and study has taken across Canada and around the world.  His work has ranged from contemporary devising, cross-cultural and multi-disciplinary projects to main stage and classical theatre.  Some favorite credits include the directing the devised projects Wasting Time (Bali, IND) and Odyssey (London, UK), the site specific The Women of Troy (Canadian Stage) and F. Garcia Lorca’s The Love of Don Perlimplin (Shaw Festival). His work has been nominated for over twenty Jessie Richardson Awards including four for Outstanding Direction and two for Outstanding Production.  He is a recipient of The Ray Michal Outstanding Body of Work Award.

About The Dramaturge: Heidi Taylor

Heidi is a Vancouver-based dramaturg, director and performer. She moved into the role of Artistic and Executive Director of PTC (Playwright’s Theatre Centre), after serving as Dramaturg for 7 years. She has dramaturged plays from across the country in the annual PTC Writers Colony, and works closely with the six resident PTC Associates. She also co-created and produced cross-disciplinary projects with Proximity Arts from 2003-2011, including Susan Elliott and Tanya Marquardt’s sited dance piece, Mal de mer, an audio walking PodPlay, and the interactive sound installation antic. Heidi holds an MFA from Simon Fraser University, where she taught intro acting for eleven years.

About The Actors: Trisha Li

Trisha Li is currently a fourth year Theatre Performance student at SFU, and hopes to continue acting after graduation. Her love for the performing arts began at the age of 11, when her mom registered her for drama classes at Carousel Theatre to help bring her out of her shell. Despite the fact that Trisha was always the shy quiet Asian girl in the class, her love for acting grew as it became an avenue of expression and imagination. As a teenager, she was acting both inside and outside of her high school, with Vancouver Youth Theatre and Lindbjerg Academy of Performing Arts. Presently, Trisha is interning at Playwrights Theatre Centre and is working alongside the PTC team in making their Unscripted series come alive.

 

About The Actors: Kacey Rohl

Primarily a film and television actor, Kacey is thrilled to be back in the place where it all began– the theatre! She was quoting Shakespeare at 4 and had a director for a father and a playwright for a mother, so the deck was kind of stacked as they say! A breakout role on AMC’s THE KILLING, working with Catherine Hardwicke’s in RED RIDING HOOD, and a comedic turn in the Canadian/ American co-pro sitcom WORKING THE ENGELS are among the standout roles in Rohl’s young career. She’s currently dividing her time between Los Angeles, Vancouver and Toronto, where she’s shooting season 3 of Bryan Fuller’s series HANNIBAL for NBC. She’s excited to be working with such a stellar group of young actors & would like to thank BoucheWHACKED! and Heidi Taylor for the stellar opportunity. 

About The Actors: Sarah Roa

Sarah Roa is an emerging artist based in Vancouver. She is alumni of the theatre program at both UBC and Douglas College. A few of her past productions include: Mis Papas (Rice & Beans Theatre), Mr. Marmalade (Latchkey Co-op), Ubu Roi (UBC Theatre), Caucasian Chalk Circle (UBC Theatre), and Twelfth Night (Douglas College). To those reading this, thank you for your support. You are all beautiful human beings!

 

About The Actors: Sean Patrick Sonier

Sean Patrick Sonier is a recent Studio 58 graduate who has travelled all the way from New Brunswick to reside in the vibrant city of Vacouver. He did however make a quick stopover in Ontario to receive a B.A. Specialization in Theatre with a minor in Arts Administration at the University of Ottawa. Sean is a recipient of the Lloyd Nicholson Memorial Scholarship and The Jennifer Wade Family Endowed Fund Scholarship. Select past credits include: Elbow Room Café: The Musical Phase 1 (Zee Zee Theatre), Oklahoma, Kosmic Mambo (Studio 58), Cinderella: an East Van Panto (Theatre Replacement), And Treat the Distant People with Kindness (Les Ateliers du Corps), A Report to an Academy (Glassiano Productions), Médée-Matériau (Théâtre la Licorne), Don’t Blame the Bedouins (Drama Guild). 

About The Actors: Deneh’Cho Thompson

Deneh’Cho Thompson (Dene) is an aspiring director, actor and playwright based in Vancouver. In 2009 Deneh co-founded workingclasstheatre, an indie theatre company dedicated to producing new works, providing training opportunities and showcasing the work of emerging artists. workingclasstheatre has had the pleasure of growing up in the emerging artist community alongside Resounding Scream Theatre, rice&beans Theatre, SHIFT Perfoming Arts Society, and others.

 Since 2009 Deneh has been developing an artistic practice that uses devised theatre as it’s principal component. Deneh’s recent directing credits include The Dudes of My Life, a devised piece, and The Governor of the Dew, by Floyd Favel.

 In his final year of the BFA in Theatre Performance program at Simon Fraser University, Deneh’s research is focused primarily on issues of representation and audience in Aboriginal theatre.

Guest Translation Workshop: The Crow

Guest Translation Workshop: The Crow

BoucheWHACKED! Theatre Collective & Ruby Slippers Theatre present
Ta Gueule Translation Workshop & Reading Series
In Association with PTC

English Language Premiere
The Crow
By Lise Vaillancourt
Translated by Maureen Labonté
Directed by Diane Brown*

Featuring:
Sarah Roa, France Perras* & Anna Hagan*

A very funny comedy with great heart, The Crow is about mothers and daughters, about dependence and independence, and reflects on our changing roles as we age, the elasticity of love, and the temporal, circuitous journey of life.

1h 10

WHEN
May 31, 2016
2 PM

TICKETS
Pay What You Can
at the Door

About the playwright: Lise Vaillancourt

Playwright and novelist, Lise Vaillancourt has written fifteen plays. She was noticed for “Marie-Antoine, opus 1”, “Billy Strauss” and  “Journal d'une obsédée”. Her second novel, “L'Été des eiders” and her work for children, “La Balade de Fannie et Carcassonne” and “Le Petit Dragon” earned her GG Award nominations. She wrote two pieces for acrobatic theatre, “lili” and “Moi moi moi”that toured in Europe, Asia & the USA. “Le case L'Affaire Dumouchon” was presented at La Licorne and “Une histoire pour Édouard” in colaboration with le Théâtre des confettis and Les Exilés de la lumière and Espace libre.  She was writer in residence at the  Banff Centre, the Festival International des Francophonies in Limousin and La Chartreuse de Villeneuve-lez-Avignon. She was a leading figure with Théâtre Expérimental des Femmes (TEF), a founder of Espace Go and Artisti Director of  Théâtre de la Ville Longueuil for 9 years.  In the 2000s, she has served as an expert to the Commission Internationale du Théâtre francophone (CITF). She is currently President of the Centre des auteurs dramatiques.

Bio from www.cead.qu.ca and translated by Jack Paterson

About the translator: Maureen Labonté

Maureen Labonté is a dramaturge, translator, and teacher. She has also coordinated a number of play development programs in theatres and playwrights’ centres across the country. In 2006, she was named head of program for the Banff Playwrights Colony at the Banff Centre. She was dramaturge at the Colony from 2003–2005. She was also Literary Manager in charge of play development at the Shaw Festival from 2002–2004. Previous to that, she worked at the National Theatre School of Canada, first developing and running a pilot directing program and then coordinating the playwrighting programme and playwrights’ residency. She still teaches at NTS.

Mauren has translated more than thirty Quebec plays into English. Recent translations include: The Bookshop by Marie-Josée Bastien, Everybody’s WELLES pour tous by Patrice Dubois and Martin Labreque, and The Tailor’s Will by Michel Ouellette. She will soon be starting work on: Wigwam by Jean-Frédéric Messier and Bienvenue à (une ville dont vous êtes le touriste) by Olivier Choinière.

About Ruby Slippers Theatre

ruby-slippers-theatre_ruby-slippers.jpg_20091209141419Multi award-winning Ruby Slippers Theatre has had a fantastic 2014/15 season that includes the critically acclaimed productions of The Duchess a.k.a. Wallis Simpson, After Me (Après Moi) and The List. Other recent hits: Communion, A Beautiful View and Hotel Bethlehem. RST produces, creates and presents provocative text-based theatre from the vanguard of the English and French Canadian canon. Our work illuminates diverse perspectives and social issues, inspiring independent critical thought and communion. 

Ruby Slippers Theatre’s legacy includes 3 national tours and 8 full-length original works. Over the last 10 years alone they have garnered 31 Jessie Richardson Theatre Award nominations including twice for Outstanding Direction and Outstanding Production, and 12 Awards. Diane Brown is the Artistic Director.

For more info click here

*Artist appears courtesy of Canadian Actors Equity Association

Image courtesy of June Hunter Images (http://www.junehunter.com)